In this episode we speak with Melissa Hassard, founder of Women Writers of the Triad (WWOT). Founded in 2012, WWOT's mission is “to support, encourage, and nurture each other while working to find our voice, and hone our craft”. Join us as we talk to Melissa about the challenges and rewards she has experienced on her journey with WWOT. [Read More]
Sandra Beasley shares Elizabeth Barrett Browning's "How Do I Love Thee" and Chen Chen reads "To Autumn" by John Keats for the Favorite Poem Project. [Read More]
In this episode we speak with Kevin Larimer, Editor in Chief of Poets & Writers Magazine. A crucial source of information and guidance for creative writers, Poets & Writers is the nation's largest nonprofit literary organization serving poets, fiction writers and creative nonfiction writers. Join us as we learn about the magazine, the editorial process, trends in the literary industry and more. [Read More]
In this episode we speak with Elizabeth Burke-Dain, Marketing and Media Director for the Poetry Foundation. With a $200M endowment and its prestigious Poetry Magazine dating to 1912, The Poetry Foundation is the largest organization promoting poetry in the United States. Join us as we learn how the Poetry Foundation works to ensure poetry has a "vigorous presence... in our culture". [Read More]
Beware the Jabberwock! In this installment of Favorite Poem Project documentaries, we watch a mother and daughter read Lewis Carroll's "Jabberwocky." We'll also listen to Cornelius Eady share the strength of "On Being Brought from Africa to America" by Phillis Wheatley. [Read More]
Graywolf Press is a leading independent publisher of contemporary American and international literature. In this episode we talk with Executive Editor Jeff Shotts to learn how they discover and work with leading writers such as Eula Biss and Claudia Rankine. We also learn how their non-profit status allows them freedom to work at the leading edge of the art and what he means when he suggests writers "Sound Like Yourself". [Read More]
Managing Editor, Crystal Simone Smith has “a small press with a big vision.” Smith describes her transition from graphic designer to press editor and the importance of publishers who support ethnic minority writers. [Read More]